In Death Valley, forms appear to mimic the hands that sculpted them. As Jean Baudrillard noted in America, “Death Valley is as big and mysterious as ever. Fire, heat, light: all the elements of sacrifice are here. You always have to bring something into the desert to sacrifice, and offer it to the desert as a victim.”
In this strange mirror, a mirage produces a liquid permanence. And this ancient landscape becomes a future landscape as well as a launching point to terrains on other planets, other realities, and other existences, in addition to the seemingly inevitable sacrifice of human existence which as yet does not have the capacity to transcend this landscape. In that way, whenever I go to Death Valley, it’s immensity presses on me and makes me feel like eternity is under the feet of that which it feeds and consciousness appears as some strange simulated virginal sacrifice.