Tree Ghosts

somewhere in Yellowstone

In my favorite film, Solaris, by the phenomenal sculptor of time Andrei Tarkovsky, an alien planet is sentient. More than that, it reads the psychology of anyone who crosses its threshold and has the power to make clones from whoever the person is fixated on. When I take exposures of nature, I often think of Earth in this way (are we not its DNA clones in a sense?). That it is a sentient planet experiencing itself through me. That I am its witness. That any image I expose of it is the image it projects. And through the fog of my consciousness, its primal forms emerge like these ghostly trees.

My favorite quote from the book: “Are we to grow used to the idea that every man relives ancient torments, which are all the more profound because they grow comic with repetition?  That human existence should repeat itself, well and good, but that it should report itself like a hackneyed tune, or a record a drunkard keeps playing as he feeds coins into the jukebox…”

Twin Trees

somewhere in Yellowstone

In Difference and Repetition (1968), Gilles Deleuze writes about the doubleness of consciousness: “It is not enough to say that consciousness is consciousness of something: it is the double of this something, and everything is consciousness because it possesses a double, even if it is far off and very foreign. Repetition is everywhere, as much in what is actualised as in its actualisation.” And even the word “double” suggests a copy whereas it isn’t an exact copy by any means. It’s a strange world of “doubles” in our consciousness. A world of metaphors that are not the thing nor can be said to resemble the thing. Any replication has differences. The so-called copy is something else already “far off and foreign.” A tree is replicated in the woods and replicated in my mind and then both trees replicated into an image and then replicated in any mind that sees this image. But not quite replications. The twin trees are not trees at all, but rather slippery multiplicities.


somewhere in Big Sur

Do the cliffs close in to the right or open up to the left? Are these echoes of each other, without a source? Or are they more like strips of paper simulating weight through shading?

somewhere between me and the window

And because why not put them together.

somewhere in between the sea kelp and the newsprint

And just for fun.

somewhere between multiple faces