Randomness swells across the floating line. It is difficult to keep track of the difference between each rolling frequency without the aid of a mechanical eye. The position of the threshold shifts and the intensity of the emergence stretches and breaks the surface in its specific yet same way. The reflections of the sun sparkle in patterns that mirror the random immensity of these movements. Phantom bodies roll through this ever-shifting zone where even if the same exact wave were to pass through it would be received differently but the difference would perhaps be slight enough to go unnoticed or slightly noticed then quickly forgotten. Like when one goes home and tells others “I went to the beach and watched the waves.” The waves get consolidated into one phenomenon. A general wave stuck breaking. A frequency on repeat. A signal from a fixed threshold of a composite memory sounding off like a fog horn moving with the fog. The exactitude of the origin lost to the layering of more emergences breaking into the mind when it shifts between its thresholds and loses track of all the iterations and the specificity of those iterations rolling by.
At birth, the child carries the womb out and unfurls it, but it keeps unfurling as the child grows into an adult, and never ceases unfolding until the material is rolled back up like a rug put back into a box with other rolls in deep storage. Patterns interlock across endless fabrics knitting themselves together into a greater common rug known as existence. The inside is always the outside. No matter how deep one unfolds into the experience of consciousness, a surface awaits, for the interior is its own exterior. The womb was never left behind but carried out with the other countless re-wombings that populate the planet, the greatest womb through which all of her wombs birth themselves into a singular consciousness segmented only by the illusion of corporeal cells called bodies. The spin of the great mutual unfurling of all wombs coincides with and inhabits the greatest womb hurling through the deep space of greater wombs yet to be eventually carried through the vacuum of a black hole again otherwise known as the rebirth canal.
The space consumes the form and the form the space. The terrain absorbs itself. Color sops up difference. Separations pinch. Holes twist open. Pathways stretch from crevices. This strange material is caught in a stagnant churn. Reforming the form without any original form to begin with and no final form to reach. Tossing and tumbling into itself, it ingests what it discharges and discharges what it ingests. Its gestures are traces; its cracks experiences. A static vortex suspended by its own force hovers through the emptiness.
Why else does the immensity of this space exist bound by the heaviness of this sea and cliff but for the most delicate of forms to sway and flow in the mimicry of something ineffable like a floral jellyfish or an illuminated nautilus whose static dance inhabits the gestures of Isadora Duncan stinging this spiral between weight and weightlessness?
It hangs there often ignored now. Just a pier. Something from a bygone era. Ships no longer dock at it. Only a few scavengers haunt it now. A lone fisherman waits in the fog. Barely existing in the forefront of anyone’s mind. But it is back there. In the deepest fog. Haunting minds with its ragged sculpture. This bare skeletal thing. This shadowy presence that hovers somewhere between memories. Some kind of phantom bridge. From the unknown to the unreachable. Affecting in its indiscernible way. An atmospheric link.