The glass curtain rolls over every segmented and coded unit ready to plug into a conditioned lack. In the cavernous belly of the beast, only objects of warm and cozy domestic bliss can be found. The unctuous chain of production leads back to certain reflective surfaces that bounce any seekers back to the reproduction itself. And in the rafters of the subsidiary, the conglomerate shadows eavesdrop for absolute compliance in service to all desiring machines in all directions.
Here is a pareidolia test derived from mundane random material of course. A homunculus wears a donkey mask to worship at the altar of an ancient serpent deity?
The geometrical apparatus holds the sleepers who warp its architecture with an uplift so tremendous that it breaks into a distant shoreline. And this occurs in only a brief moment of the half-sleep allowed. The microquake of a nap ceases as soon as it begins by the pitter-patter of birds (varies from sleeper to sleeper – plovers, seagulls, sandpipers, egrets, herons, and so on) across their sandy brows. One sleeper reports a cassowary darting over her dune-laden forehead before she can fear for her life! When the sleepers abruptly awake from their slumber, it is imperative that they ignore their tectonic activity simulations or else the tasks at hand might wash away the added benefits of transitional states contributing to enhanced productivity desires.
As I head off down the road, my head splits in two. Nothing but fibers stretching and breaking apart. As I wonder which hemisphere of my squash I might be more comfortable in, seeds spill out and spawn pathways that fork off into other pathways. The rhizomes tempt me to question whether comfort is worth anything at all. Constant wandering mimics the framework better than any static container. But if I am everywhere at once like a bust open squash spiraling its flesh in every direction possible, then how can it be that I also feel like a singular purposed machine racing toward a vanishing point (as if it wasn’t of its own making but some actual physical vertex that the machine will eventually shrink into)?
If vision itself were visible, it would gush out like a current of foamy water from a facade of bone. If language were visible, it would be seen swirling in and out of the cranium like the sea flowing through a cave. If tranquility were visible, it would be a skull suspended by the flow of what it contains.
This terrible beauty, this eerie sunset of doom is quarantined by a photograph. Here it appears as something from a saccharine dream of candied romance. But in reality it is the harbinger of destruction. Of the heat waves and fire season that people from drought stricken areas such as mine know to loathe.
Comfort and beauty intertwine and comfort finds a way to snake back around and bite harder the hand that wished this world were without the pain baked into all things. Beauty becomes a mirage that blinds the beholder to the harsher truth it conceals. I flinch during this time when people say “look at the sunset” as if it were just a sight to behold devoid of this brutal context where people lose their homes and vast numbers of animals lose their lives and habitats. Then I’ll catch myself saying the same thing and cringe at my mindlessness (but of course blame it on the debilitating heat).
It’s as if it is deep in human nature to live for the postcard image even though it’s a cheap ten cent glimmer of hope. Any shine at all will do to whet the appetite for the notion that things will be alright. As do I reluctantly grab the camera and take the exposure knowing that this outcome will result. An image taken in guilt yet into which I cannot bake the pain to inspire true revelation or change even in my own habits. These petty words trail like an anguished afterthought in a time when comfort (and its twin – convenience) is the business of the day and the sunset has become the barrier signifying the mystery of a collective denial seen as a brilliant display that might as well have been put on by the Dynamation gods in a Ray Harryhausen movie.